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Category Archives: grammys

An Unlikely “Champion”

A long-time music milestone was broken this week.  LeAnn Rimes’ How Do I Live was toppled as the longest-running song on the Billboard Top 100, which held the previous record of 69 weeks.  So, you’d think such an accomplishment (I mean we’re talking a nearly five quarters, here) would be championed by the Jonas Brothers, Miley Cyrus, Taylor Swift or any of the plethora of other bubble gum rockers that are always being thrown in our face.  But, no, this time the record goes to the unlikely champion of Jason Mraz, and his stalwart release, I’m Yours.

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Now I love(d) this song.  I first heard it through my kid, who recommended it because he knows “my style”.  However, he liked it too.  So did his guy friends and of course, so did his girl friends.  Like most popular songs that are well liked, I’m Yours, spent several months around and on the top of the charts and got decent radio play, but nothing to indicate that it would still be around over a year later.

This song has lived since 2005, when it was written.  Mraz started performing it live in 2006 and the audience always had such a positive reaction that he eventually included it on his 2008 release We Sing. We Dance. We Steal Things.  (Yes, Mr. Mraz is quite amusing…for more, see his website www.jasonmraz.com)

But, 71 weeks with no sign of dropping off?  Why?  I mean, I’m Yours is catchy and highly entertaining, has great lyrics and is performed with great emotion, but isn’t it similar to Bobby McFerrin’s Don’t Worry, Be Happy?

As far as I can tell, the song hasn’t had significant label backing, hasn’t been featured in any movies, isn’t attached to a mega star, and isn’t a novelty sensation.  It just keeps hanging around…and is now nominated for a Grammy for Song of the Year.

Is it the coffeehouse delivery of Mraz that is so familiar?  Or, is it the simple pleasure of the song?  The appeal across age, ethnicity, or geography?  Is it the connection of the lyrics?  Is the simple “happiness” of the song?  Is the song just that good?   You tell me…

Take a look/listen to Mraz’s performance of I’m Yours and give me your theory as to why it has been “the little single that could”.

 

Note:  I included this extended live version because I think it really demonstrates the song the best.  Here’s the lyrics to review, as well…

Well, you done done me and you bet I felt it
I tried to be chill but your so hot that I melted
I fell right through the cracks, now I’m tryin to get back
before the cool done run out I’ll be givin it my best test
and nothin’s gonna stop me but divine intervention
I reckon it’s again my turn to win some or learn some

But I won’t hesitate no more,
no more, it cannot wait
I’m yours

Well open up your mind and see like me
open up your plans and damn you’re free
look into your heart and you’ll find love love love love
listen to the music at the moment people dance and sing
Were just one big family
And it’s our godforsaken right to be loved loved loved loved loved

So, i won’t hesitate no more,
no more, it cannot wait i’m sure
there’s no need to complicate our time is short
this is our fate
I’m yours

Scooch on over closer, dear
And I will nibble your ear

I’ve been spendin’ way too long checkin’ my tongue in the mirror
and bendin’ over backwards just to try to see it clearer
But my breath fogged up the glass
and so I drew a new face and I laughed
I guess what I’d be sayin’ is there ain’t no better reason
to rid yourself of vanities and just go with the seasons
it’s what we aim to do
our name is our virtue

But I won’t hesitate no more,
no more it cannot wait
I’m yours

well open up your mind and see like me
open up your plans and damn you’re free
look into your heart and you’ll find love love love love
listen to the music of the moment come and dance with me
ah, la one big family
it’s your god forsaken right to be loved, loved, loved, loved

open up your mind and see like me
open up your plans and damn you’re free
look into your heart and you’ll find love love love love
listen to the music of the moment come and dance with me
ah, la happy family
it’s our god forsaken right to be loved loved loved loved

it’s our god forsaken right to be loved loved loved loved
listen to the music of the moment come and dance with me
ah, la peaceful melodies
it’s you god forsaken right to be loved loved loved loved

 

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Bigger Winner of the Night

The Grammys took a baby step to redemption in recognizing Robert Plant & Alison Krauss’s awesome CD, Raising Sand, as Album of the Year, and Please Read the Letter as Record of the Year.  But perhaps my favorite on the CD is a cover of the Everly Brothers’ Gone, Gone, Gone

Contrast and compare.

 

  Gone, Gone, Gone — The Everly Brothers

 

  Gone, Gone, Gone  — Alison Krauss & Robert Plant

 
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Posted by on February 8, 2009 in grammys, Music History, music legends, oldies

 

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Music Maven’s Grammy Rundown

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Admittedly, The Grammys do not thrill me.  Unfortunately, moguls like Clive Davis’ seeming influence into the awards over the last few years leaves me very skeptical as to the nominations and the winners.

I mean, WHERE is Amos Lee?  Ray LaMontagne? 

However, in the spirit of Music comraderie, I made my own Grammy picks.  Personally, I think that they could cut out 2/3 of the categories and cut this puppy down to a half-hour show….but, whatever.  Here are the 2009 Music Maven Grammy picks.

Record of the year

  Please Read the Letter, Alison Krauss & Robert Plant

Mainly because Coldplay’s Viva La Vida is so over-played.

Album of the Year

Because of their revolutionary, “name your price” sales strategy….

  In Rainbows, Radiohead — Videotape track

Song of the Year

Only one choice for me…loved her from the start.  Remember, she debuted her 12-song DC (rather than CD) for $6.99 on iTunes.

  Love Song, Sara Bareilles

Best New Artist

For her ’60s vibe….

  Mercy, Duffy

If Katy Perry’s I Kissed a Girl wins anythings, I will never turn on a radio again.

In the Best Male Pop Vocal Performance category, I’m seriously torn between James Taylor’s Witchita Lineman and John Mayer’s thoroughly emotional Say, from The Bucket List.   However, I’m going to have to go with Sweet Baby James on this one.  The Glen Campbell kun-NECK-shun is just too strong.  The best song lyric of all time:

…and I want you more than need you, and I want you for all time.

‘Nuff said.

  Witchita Lineman, James Taylor

(Besides, Say wins a MM Grammy in another category — see below.)

Which, given the choices, leads me to Best Pop Album — JT’s Covers.  I was convinced by Seminole Wind and Not Fade Away.

I was intrigued by the nominations within the Best Solo Rock Vocal Performance (who comes up with these categories?) pitting Sir Paul McCartney’s Amoeba Record performance I Saw Her Standing There against John Mayer’s Gravity performance from Where the Light Is.  While I have great affinity for McCartney, the Where the Light Is video is superb and Gravity is one of my all-time favorite songs.  Therefore, the award goes to….

  Gravity, John Mayer

The only performance in the R&B categories that I feel is worry of any award is Wayne Brady’s Change is Gonna Come.  Yes, Wayne Brady of Who’s Line is it, Anyway? fame.

  A Change Gonna Come, Wayne Brady

However, I’d like to see Jennifer Hudson win a Grammy, just because she is that good and she deserves it.  Note:  she is the only American Idol alum nominated this year.

In the Country categories, only two nominations piqued my interest.  Brad Paisley’s nomination for Letter to Me in the Best Country Song category and The Del McCoury Band’s nomination for Best Bluegrass AlbumLive at the New Orleans Jazz & Heritage Festival.  Love me some Del…

  Nashville Cats, Del McCoury Band

John Mayer’s Say is a lock for the Best Song Written for a Motion Picture.  I love this song, music & lyrics.

  Say, from The Bucket List, John Mayer

Miscellaneous Other favorites:

Best Traditional Gospel Album, Down in New Orleans, The Blind Boys of Alabama

Best Traditional Blues Album, Pinetop Perkins & Friends, 95 year old Pinetop Perkins, with a line-up of Blues royalty.

Best Contemporary Blues Album — THREE New Orleans acts; Dr. John, Irma Thomas and Marcia Ball.  Can they simply split a Grammy?

And, finally the BIG category….Best Zydeco or Cajun Album….drum roll please……

Music Maven picks……

  Steve Riley & The Mamou Playboys

 

 

 

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And the Winners Are…

If, like me, you did not tune in to watch the Grammys, here is Entertainment Weekly’s List of Winners.

The biggest winner, by far, was Amy Winehouse with five Grammys.  While she couldn’t be there, in person, she rocked the house in London performing her mega-hit, real life drama, Rehab, as well as I’m No Good.

What a great night for real music.  Congratulations to Amy Winehouse for being the standard bearer.  Make no mistake, her wins make a real statement to the industry. 

Lefsetz has a pretty scathing assessment of the travesty of trying to associate Frank Sinatra with the music prowess of Alicia Keys.  To quote Aretha…”C’mon now.  Please.”  Even this is a cry by the industry to harken back the days of good music because, frankly, so little of it is found on today’s charts.

I have to admit that I did flip over from catching up on Jon & Kate Plus Eight on TLC and caught Ree Ree and BeBe Winans singing Never Gonna Break My Faith, which tied with The Clark Sisters to win a Grammy in Best Gospel Performance.

Awesome.  But, lawsy mercy she is large.  This has to be affecting her health.

Although I was extremely disappointed in the status quo with Justin Timberlake beating out John Mayer in the Best Male Pop Performance for that lame-ass song, What Goes Around Comes Around, it seems that perhaps the tide is starting to turn as Daughtry was shut out, even though his CD was by far the best-seller of the year. 

The excitement of the crowd when the legends of great music, like Aretha, Tina Turner, Jerry Lee Lewis, John Fogerty, and the incomprable Little Richard performed indicates that there is a yearning for the great music that built this business.  In my opinion, it also exposes how shallow the current promoted music is.

Sorry, but there is nobody even close to the great Richard Penniman in today’s music.  As usual, makes ma toe shoot up in ma boot!

Alas, my buddy Geno Delafose lost to Zydeco Legend Terrence Simien.  Maybe next year.

 
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Posted by on February 11, 2008 in aretha franklin, grammys, Music Today

 
 
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